Showing posts with label tendai huchu. Show all posts
Showing posts with label tendai huchu. Show all posts

Saturday, August 27, 2011

[Interview_2] Tendai Huchu

Tendai Huchu's first novel, The Hairdresser of Harare (Weaver Press, 2010) is set during the height of the social, economic and political problems Zimbabwe experienced recently.

In August 2011, The Hairdresser of Harare was longlisted for the Not the Booker Prize. One reviewer said the novel offered "insight into a society in flux, with believable characters grappling with identity and gender issues, with power, privilege, and politics"  while another reviewer described it as "a  compelling story which will tag your emotions every which way; from love, to tragedy, to jealousy, to terror ... all told with a certain humour that makes it bitter sweet."

The novel has also been translated into German where it is available as Der Friseur von Harare (Peter Hammer Verlag Gmbh, 2011).

In an earlier interview, Tendai Huchu spoke about the factors that motivated him to start writing.

He now talks about his second novel, An Untimely Love (Whiskey Creek Press, 2010):

Do you write every day?

I couldn’t write every day, real life also has a claim on me. When I do write I write in intense bursts lasting a couple of weeks or months.

It starts with an idea ... how else could it start? ... but not just any idea and there are a great many of those, but the one that won’t leave my mind but whirls around knocking at the window until I have no choice but to act.

I write in bed, we all know a great many pleasurable things happen in bed and it ends when the idea manifests itself as words on paper which we then call the novel.

How many books have you written so far?

The Hairdresser of Harare published by Weaver Press was my first novel. It follows the story of Vimbayi, awoman who falls in love with a man who turns out to be gay during the height of the socio-economic and political problems in Zimbabwe in the middle part of the last decade.

An Untimely Love then followed and that was published by Whiskey Creek Press. The idea behind An Untimely Love began when I read Victor Hugo’s, The Last Day of A Condemned Man. I wanted to experiment with that narrative structure and so I paid tribute to him by writing a novella, The Last Day of a Suicide Bomber which I put on bibliotastic.com for readers to access free of charge.

The novella tells the story of a young terrorist who falls in love on the day he is supposed to execute him mission and this, of course, throws his world in turmoil. I stayed faithful to Hugo’s original and cut the story off at that indeterminable point where we do not quite know what happens next once he reaches his target, the London Underground.

I received feedback from readers who enjoyed the story but they all demanded to know what happens next and I had to agree with them that even when I finished the story I had a niggling doubt that this was not the end. So, I followed up with two other novellas, An Untimely Love and Love’s Labours which together form the novel An Untimely Love.

The process of writing, redrafting and modifying the final novel took a year, not including the time I spent producing the first novella which adds a couple of months. It was published as in December 2010 as an ebook.

How did you choose a publisher for the book?

I sent out multiple submissions and had offers from four ePublishers, all based in America. I went with Whiskey Creek Press simply because of the feedback I got from another author who is published with them.

Which were the most difficult aspects of the work you put into An Unimely Love?

I think terrorism was at the fore of Western public consciousness for a huge chunk of the last decade, it’s only gradually been overtaken by the economy now so I think my main difficulty was handing the book sensitively.

The story is told from the perspective of Khalid Patel, the young terrorist, and this meant he couldn’t be the cardboard cut-out villain with a big beard shouting “Allahu Akbar” that you see in Hollywood movies. He is all too human ... an idealist with big ideas who hopes to transform the world ... something most of us can relate to from our twenties. As an author, I then had to accept those values and allow him to grow instead of forcing my values onto him.

What did help me a great amount was a bit of information I chanced upon in a discussion on the biological roots of human aggression between Thomas Hayden and Malcolm Potts and they spoke briefly about The Black September group which was behind the Munich Massacre. It turns out one of the reasons the group was effectively neutered was when its members were offered housing and an allowance on condition they got married by the PLO. It seems that as they became family men they lost their appetite for acts of violence which is the same trajectory Khalid Patel goes through once he falls in love.

Which aspects of the work did you enjoy most?

I was working in first person, present tense for the first time on a subject that fascinates me. As an author I moved from playing God into, as it were, becoming the Character for a brief moment and that was quite a high, with a rush of all sort emotions.

What sets An Untimely Love apart from other things you've written?

My body of work is still quite small, two novels and a couple of published short stories. But An Untimely Love stands out because I was writing about people from a culture and religion different to my own which meant a lot of research but, ultimately, what you find is that people aren’t too different from one another and their actions and motivations are comprehensible.

We all wake up in the morning, pee and think about food ... that’s basic ... but in these small universals, you have an infinite amount of variation from group to group and person to person ... I think the way to describe it is as a "literary chaos" theory.

What would you say has been your most significant achievement as a writer?

I think as an author if you look back and start gloating about past accomplishments then you’re finished, you might as well be dead.

You’re always evolving that’s why Jeffery Archer went back and rewrote Kane and Abel a couple of years ago, he’s a better craftsman. Stephen King too talks about thinking about how he can write an even better book and I think that’s all you want to focus on as a writer.

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Monday, October 25, 2010

[Interview] Tendai Huchu

Podiatrist and author, Tendai Huchu was born in 1982, in Bindura, Zimbabwe.

He attended Churchill High School in Harare and currently lives in Edinburgh, Scotland.

The Hairdresser of Harare (Weaver Press, 2010)  is his first published novel.

In this interview, Tendai Huchu talks about his writing:

When did you start writing?

I have been writing since I was in school. I was sub-editor of The Churchill Times, my school newspaper. I even won a couple of national essay contests. But that was mainly articles. I started writing fiction when I was 23 because I felt I had a story to tell.

I wanted to express myself and share ideas with other people.

I knew I wanted to get published round about the time I started writing ... so ... I wrote and pitched to publishers ... four years later, here I am.

How would you describe your writing?

I hope it is literary fiction ... I come from an oral tradition ... so I am mainly a storyteller.

I enjoy a good plot with great characters and dynamic set pieces and I hope these things are reflected in my work.

Who is your target audience?

I don’t have a specific target demographic or anything like that.

I might write for my readers but, remember, the first reader of my stories is me. If I like a tale I've come up with then I think maybe, just maybe, others will too.

In the writing you are doing, which authors influenced you most?

Dostoevsky, Dostoevsky, Dostoevsky ... this man and his thinking dominated my early 20s. I still love the depth of his ideas. Reading his book Crime and Punishment for the first time was like being in the middle of an 18 megaton thermonuclear explosion.

I also like other authors like Amin Maalouf, John Grisham, Alexandre Dumas, Orwell and a whole raft of other great storytellers.

Each author I read helps me improve my craft and gives me incredible pleasure in the process.

How have your personal experiences influenced your writing?

Perhaps at a subconscious level they have.

Different sub-personalities of me are probably floating about in the text but I have never actively sought to insert aspects of my personal experience directly into my work.

What are your main concerns as a writer?

Having a roof over my head and at least one square meal a day.

Do you write every day?

I don’t write every day. I wish I could but, between trying to earn a living and having an active social life, there are simply not enough hours in the day.

I write in fits and starts.

There are periods when I am extremely creative and focused. During these periods I close myself off from the world and do nothing but write, eat, sleep. I work very quickly with the door locked in case debt collectors or the landlord show up. These sessions sometimes end when I have a workable draft of a novel but quite often I come away with nothing but red eyes and sore wrists.

How long did it take you to write The Hairdresser of Harare?

The Hairdresser of Harare is about Vimbai, a young single mother who is trying to make a life for herself amidst Zimbabwe’s political and economic chaos. She falls in love with a dashing young man who turns out to be something we all didn’t quite expect.

I started writing the novel Christmas day 2009 and 14 days later I was finished with the first draft. I wrote quickly because the narrator had a distinct voice and I was afraid if I stopped I might lose it.

The novel was published this August 2010 by Weaver Press who I choose because they had formidable authors in their stable that I had read and enjoyed.

The main advantage of working with Weaver Press for this book is that my editor was based in Harare and had intimate knowledge of the locations and types of characters who were in the book. Because I live in Scotland, we couldn’t have face-to-face meetings but we still managed to build a good working relationship and I enjoyed the process immensely.

Which were the most difficult aspects of the work you put into the novel?

I struggled to let my characters roam free and live the story out according to their own personalities. Every writer enjoys playing God ... so when you see your characters living their lives outside of the rigid pre-planned plot priorities you had set for them ... it can be difficult to let go. What I usually do is to call the characters by a litany of obscene names and let them go off to do their own thing.

Which aspects of the work did you enjoy most?

I enjoy how everything in The Hairdresser of Harare comes together in the end ... how certain things that happen in the first chapters only make sense towards the end ... the subliminal links in the text that even I, as the author, only discover with each re-reading ...

What would you say has been your most significant achievement as a writer?

Staying the course. Not giving up even when I thought no one would ever read my work.

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